I had a string of little-white-squares-within-the-square pictures recently. Totally unintentional.
Baker City, Oregon by Austin Granger, on Flickr
Mitchell, Oregon by Austin Granger, on Flickr
Baker City, Oregon by Austin Granger, on Flickr
I had a string of little-white-squares-within-the-square pictures recently. Totally unintentional.
Baker City, Oregon by Austin Granger, on Flickr
Mitchell, Oregon by Austin Granger, on Flickr
Baker City, Oregon by Austin Granger, on Flickr
I've moved on to parallel lines:
School, Dayville, Oregon by Austin Granger, on Flickr
On a Track, Morton, Washington by Austin Granger, on Flickr
Kodak Duaflex IV with respooled Fuji Acros 100
scan of print so excuse the dirty scan
Rick Allen
Argentum Aevum
practicing Pastafarian
This one strikes me as weird in a way. I know it was level, because my RB-67 was on a tripod with bubble levels on both horizontal axes. The signs and barrel in the lower left confirm this...yet the building seems canted to the right. The backward leaning is from tilting the camera up slightly to get the upper window into the frame, and was expected. For me, though, it takes away some of the static elements of the image and makes it more dynamic.
Then again, I could be wrong.
Seagull TLR
Fortepan 400
R09 1+100
Madrid Parque Retiro 2005/02
www.christo.stankulov.com
This is a photo that I took from the first roll of 120 film (TMax 400) that I've put through the Toyo View 45E using the Calumet C2 roll film holder and the Schneider Kreuznach Radionar 105mm f/4.5 lens. That grey blur on the lower right corner is my hand because I had to trip the shutter manually and the lens was mounted on a recessed lens board. The photo is of the Golden Gate Bridge as seen from Land's End in San Francisco. The negative was scanned using a borrowed Canoscan 9000.
Hasselblad SWC/M, Fuji Acros
Jesus, Portland by Austin Granger, on Flickr
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