Hasselblad 501CM, Sonnar 5.6/250 Superachromat CF, Agfa Copex Rapid, SPUR Dokuspeed SL-N.
Sunlit Chapel Door - Detail by atomstitcher, on Flickr
Hasselblad 501CM, Sonnar 5.6/250 Superachromat CF, Agfa Copex Rapid, SPUR Dokuspeed SL-N.
Sunlit Chapel Door - Detail by atomstitcher, on Flickr
Thank you. Yes the film behaves well when developed in Dokuspeed SL-N and exposed at EI 25 (I haven't tried other regimes). Having said that, even with this special developer you need to keep an eye on the scene contrast as the highlights can start to block up pretty quickly. It almost needs to be treated like a slide film for best results I find.
One of my favorite architectural studies from you, Gabe, even if the sexton has seemed to have misplaced his Swifter.
How does the Afga Copex Rapid compare to Kodak Tech Pan?
” Never attribute to inspiration that which can be adequately explained by delusion”.
Kiev 6C Arsat 80mm @ 16
HP5+ HC110 B
Igor.
www.igafoto.com
Here's a 1937 Brough Superior 80 ("guaranteed for 80 mph) from the National Motorcycle Museum in Anamosa, Iowa. TriX, 500c/m, 80mm, scanned from film.
[IMG]R1 N4 Brough SS80 LFF by John Olsen, on Flickr[/IMG]
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