Of course it gets better than a Ries tripod head, namely, a Ries tripod with no redundant head on it at all! ... at least for 8x10 flatbed purposes.
Of course it gets better than a Ries tripod head, namely, a Ries tripod with no redundant head on it at all! ... at least for 8x10 flatbed purposes.
I agree with Drew 100%, a Ries A-series tripod is probably the best option. Stupidly, I sold mine, but will eventually get another one, maybe.
For now, my Gitzo carbon fiber tripod and #5 low-profile head does a VERY satisfactory job of supporting my 5x7 Deardorff, as well as my GX680 system(medium format, but still big)
If you're not venturing far from the car, then a heavier option like the Majestic can work well. But if you like a lighter-on-your-back option, carbon fiber really has some terrific benefits.
-Dan
Attachment 100509
I use this platform with three tripods and four view-cameras, 4x5, half plate, 5x7 and 8x10. Since all my cameras are 100 plus years old, it's a perfect fit.
I have the Ries A250 and yes it is a very stable head but IMHO overkill for 8x10 as it has a 6" x6" base and is 4.75#. If you are shooting out of the truck it is no biggie but I would not want to carry it very far. My A250 Mine is relegated to support my 30# Deardorff V11 on top of the A100 Ries tripod.
For 8x10 the Manfrotto 475 tripod with the 229 Super Pro head I found works great and I thank Sandy King for showing my this combo in the field. Extra support member to each leg, a rising center column if you need it, two leveling bubbles and a quick release plate that saves me time and effort. Until recently I have been frustrated with ball heads and grew comfortable with the ability to isolate each of the three head directions.
Just found out from B&H that they have discontinued selling the majestic 1001 model meant for large format cameras and returned my payment. I had a look at the ries heads and ordered the j series head and planning to get the wooden legs as well should be lighter than my Gitzo.
Tin Can
OK, I used the Manfrotto video tripod with fluid head in the park for some portraits. With the Cambo and 300mm Rodenstock atop the tripod it all was a very sturdy and stable package. The nice thing about the 75mm bowl was that it allowed for quick adjustment of the monorail to horizontal. For sure, I will be using this setup again.
for a clamshell / press 4x5 camera + graflex slr, a tiltal ( black, new 75$ ) is what i use
i also use it sometimes with a toyo bellows camera ... bigger than 4x5 i use a berl..bach and 3047 ( i think ) head.
there is nothing funnier to see than someone using a gigantic tripod with a small camera ..
like a large tripods with cellphone on it ...
Which 8x10"? Or, to put it more to the point, what lenses are to be on that 8x10"?
A lightweight wooden field 8x10 is far from being the same as the Kardan Color 8x10, and those need very different tripods. And an 8x10" with a 210mm wideangle needs a very precisely adjustable head though the head needn't be the most durable in the word, and an 800mm Celor doesn't call for that much precision in the head but that head really has to be rock-solid.
I own three Berlebachs of the bigger UNI series. I use the ones with self-leveling center columns for MF. I find the simpler one without center column suitable but definitely not the best for my Calumet C-1 (though I think it is still better then the Ries Model A (happily sold at last!!!)). I've considered the Berlebach Report series and found those to be terribly flimsy, even for small cameras. And the best combo I could find for my C-1 with 500mm to 800mm lenses is an old wooden cine tripod (noname but looks like Miller and O'Connor and all the other similar stuff of the same vintage) with the old version Ries A Photoplane (one-way tilting via a pretty solid rod).
I too use a Berlebach (don't remember the model) with leveling center post with my Kodak 2-D. No ballhead , just screw it straight onto the center post. Gives me enough movement for the work I do, holds the camera securely and saves the weight of a 8x10 class head.
Often times, less is more.
Drew Bedo
www.quietlightphoto.com
http://www.artsyhome.com/author/drew-bedo
There are only three types of mounting flanges; too big, too small and wrong thread!
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