If you're getting kick back flares, images, etc., from the lens, put the filter at an angle to the kick doesn't go right back into the lens and over the image. I've done that also. Those solutions don't really have that capability.
If you're getting kick back flares, images, etc., from the lens, put the filter at an angle to the kick doesn't go right back into the lens and over the image. I've done that also. Those solutions don't really have that capability.
Mark Woods
Large Format B&W
Cinematography Mentor at the American Film Institute
Past President of the Pasadena Society of Artists
Director of Photography
Pasadena, CA
www.markwoods.com
By solutions, I meant the matte boxes.
Mark Woods
Large Format B&W
Cinematography Mentor at the American Film Institute
Past President of the Pasadena Society of Artists
Director of Photography
Pasadena, CA
www.markwoods.com
Sure. I just like the idea of elastic on the back and a drawcord on the front. Extending the idea to cover the whole shebang is left as an exercise for the reader :-)
This often done with filters in laboratory optics setups. They tend to be flat to a fraction of a wavelength, and if you mount them parallel you can get some disturbing multiple reflections and/or interference effects.
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