One can home. I imagine these small manufacturers struggle the most with the ongoing supply chain issues.
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One can home. I imagine these small manufacturers struggle the most with the ongoing supply chain issues.
That lab neither lists E6 nor C41 5x7" prices.
Hi,
I'm planning a trip around the U.S. for next year and would like to shoot colour 5x7" and get it processed there and then so it doesn't get damaged by x-rays on the way back to Australia....
I'd be interested as well, I only see 4x5/5x7/8x10 listed now but I need 7x17 and 11x14.
Wait for the 5x7 reel to come back into stock, it's worth it. And as for it being expensive for a piece of plastic - you've clearly not looked at Jobo prices yet.
Does the 150 XL really cover? What are the corners like, soft or vignetted?
Could've just hit pause and done something else? I posted the text form as well if you prefer that.
Wow do you think you could build another? That's crazy low weight for a 11x14.
Announcement e-mail went out and video is up:
https://mailchi.mp/theintrepidcamera.co.uk/big-changes-coming-soon?e=8ee36cc8ef
https://www.youtube.com/watch?v=-0QL58t2kfU
Most improvements...
Surely this will make its way into all of the models? Good news in any case.
Provia or E100 but more realistically C-41 because large format E-6 film and processing is quickly vanishing in parts of the world not called USA/UK/Canada.
Intrepid 4x5" MK4.
Fidelity plastic ones (not sure what the difference is between Elite and Deluxe?) for both 5x7" and 8x10". They're lighter than wooden ones and much less likely to have stiff darkslides and I also...
A little outside your range but a Fujinon 180mm "inside lettering" will cover 8x10" nicely and is a great focal length in both formats in my opinion.
I wonder if this guy will do another big buy? :)
https://petapixel.com/2013/07/04/this-massive-batch-of-fuji-velvia-50-8x10-film-cost-a-photographer-100000/
The crucial difference here is that on the D-side people are trying to find the better image science because once you buy a camera, you're stuck with it. On analog you can switch between them from...
Sorry but there is simply a Fuji "colour science" that is fundamentally different to Kodak and therefore Portra - while a fine film in its own right - will never replace Pro 400H or 160NS. Ektar is...
Hardly unexpected, but still a sad day. It's a cruel joke the the press release states there is no replacement for 160NS yet offers up Velvia 100 as a replacement for Velvia 50 - these two emulsions...
Not sure if it's kosher to resurrect such and ancient thread but I found the responses here useful, and it's not like the selection of lenses changed since then :)
I'm finding my 600 C quite o.k....
Do you have a link to this reciprocity table? I have been using ADOX in 7x17" but their prices have gone up 40% (!) in the last year so I'm looking into alternatives. Not sure I want to put up with...
True but it's got to be the one with the writing on the inside of the barrel, the other one has a smaller image circle and doesn't cover at infinity.
No great loss, Velvia 50 is the real Velvia anyway - just a shame that it has to be imported from Japan.
What emulsion is this? I'd guess Ektachrome.
Ain't that the truth! Well said.
Well, I took the plunge on a Canham 7x17. I'm not looking forward to completely changing my development and contact printing process but hopefully it will be worth it. The slightly lower weight and...
For someone based in the U.S. that's true but if importing the film (like me), can be cheaper, e.g. there is ADOX CHS at 6.50 euro per sheet.
Yes it was a gross generalisation but the point I...
Yes that's indeed a big consideration, e.g. the Chamonix 7x17 is exactly the same width as my 8x10 Mark II. But then I think about the added complexity of developing 7x17 and that seems to balance...
Hi,
Does anyone have experience with both of these formats? I'm looking at the next step beyond 8x10" and having trouble choosing between these 2 - camera cost, film cost/availability and weight...
Will these ever be manufactured again?
I just shot a box of 2012 HP5+ in 8x10. I gave it an extra stop of light and that was it.
Just buy an Intrepid and put the money you saved into glass.
https://live.staticflickr.com/65535/50421182658_4af7250472_b.jpg
Twins by unityofsaints, on Flickr
HP5+
Tachihara 8x10
Fujinon W 250 6.7
contact print on Foma FB multigrade
Still working...
The HP5+ expired in 2012 that I have seems to scratch more than fresh. It's a single box that I bought used.
The fact that you are still sharing images 67 years later is an inspiration - thank you!
Excellent capture! Where does one get 11x14" Provia from these days and how expired is it?
I was wondering what everone's opinion was on this - just having started wet contact printing 8x10 again I realised don't like the black notches left by the film holders to I get out my Dahle and cut...
Dahle rotary cutter + film changing tent for me. I originally bought the tent to load 8x10 holders but I'm discovering more and more uses for it: cutting film, cutting paper, loading development...
I've been happy with the results from my Fujinon 210 (latest multicoated version). The results are as good as at infinity to my eye.
Yes but the look on a light table is not even half as satisfying :)
Looking at the GG, sure. Once the dark slide is pulled - not so much. I like poker and sometimes you just have to play it with your Tachihara! I lose more often than not but I don't mind that.