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  1. Collodion websites closed
  2. Should there be a Wet Plate subforum?
  3. Wet Plate Collodion questions answered here.
  4. New Forum--populate it!
  5. The Fisherman
  6. Equipment needs, cameras and lenses. Making, buying, adapting
  7. Scanning Finished Tintype
  8. Highlanda Lutheran Church
  9. Portable Dark Lab
  10. Wet Plate Image Sharing, June 2020
  11. Pricing Aluminum Plates and Sheets
  12. Wet Plate Videos
  13. Traditional Wet Plate Sizes & Holders
  14. Collodion and Chemical Suppliers
  15. Brass mat alternative
  16. Where to Work - At Home, Kids, etc
  17. Archival Properties of Varnishes used in Wetplate
  18. On Quinn's Wet Plate Forum
  19. Contact Dermatitis
  20. Magnesium Powder Flash
  21. Silver Maintenance
  22. Wet Plate - A Beginner's Experience
  23. Historic Sources Online Books Preferred
  24. Dark Box Build
  25. Focusing A Petzval
  26. Waiting for collodion to clear, a few questions
  27. Compare Wet Plate to Best LF Film
  28. Wet plate focus confusion.
  29. Wet plate collodion spectral sensitivity?
  30. Negative Process - Basic Questions
  31. Developer
  32. Optics cleaning with Collodion
  33. Cloudy silver bath, is it usable?
  34. Wet Plate Enlarging History
  35. Wet Plate Video Links
  36. Small white streaks on plates, what's the cause?
  37. Wet plate image sharing July 2020
  38. Chroma Wet Plate Holders - Standard/custom sizes
  39. handling precautions?
  40. Longest Wet Plate Exposure Times
  41. Wet Plate image sharing, August 2020
  42. Wet plate process not producing an image
  43. Troubleshooting, or What the Hell Is That?
  44. Live training from Quinn
  45. Subtle blue tint
  46. Special Lense for wet plate ?
  47. Ideal Wet Plate Glasss
  48. The Uncanny Tale of Shimmel Zohar
  49. Old Collodion Com wetplate site return
  50. Fixer
  51. Source needed for KCN, potassium cyanide
  52. Custom Wet plate holder and Lens Board needed
  53. How Early Could It Have Happened?
  54. Wet Plate in Winter
  55. Please help with this image
  56. St. Peter Lutheran Church
  57. Some critique please
  58. Pictoriographica black glass!
  59. Please help! Ambrotypes are turning blue ...
  60. Latent Image keeping properties
  61. Looking For a Dry Plate Lab
  62. Storage of Exposed/developed glass plates?
  63. Wet plate on Astronomy Picture of the Day
  64. Tintype fogging while drying
  65. Display Options:
  66. Hetland School
  67. Night time wet plates, has anyone succeded?
  68. Problem using varnish
  69. Lane Dry Plates: What is a practical ISO rating?
  70. Dead Rest Gear
  71. ALL WET Plate Suppliers Post Here with Link
  72. oxidation
  73. Suggestion for tintype starter kit
  74. Hyper-Sensitizing Slow Emulsions
  75. Mobile darkroom photography with Tin Type Trike | Our Vancouver
  76. Are Daguerreotype Included in Wet Plate Threads
  77. Clark Center Lutheran Church
  78. Kodak Dry Plates
  79. Dark Box Build Mark II
  80. Ever see One of These? Packard Shutter Regulator
  81. Silver Maintenance
  82. Wet Plate portrait lens
  83. Artifact identification
  84. Spectral sensitivity of collodion and orthochromatic film
  85. RCPE Railroad
  86. Transporting wet plate chemicals - car, and is 4WD/offroading possible?
  87. techniques for emptying silver tank?
  88. LED light recommendations for dark box
  89. Trinity Lutheran Church
  90. Wet Plate Beginner's Questions Thread
  91. From the garden, August 2021
  92. Can someone please give me an overview
  93. Welcome to The Machine
  94. backdrops
  95. Bellevue Lutheran Chruch
  96. creating 32x32'(80x80) glass ambrotype
  97. 3D-printing a silver tank?
  98. What is the best type of Silver Nitrate to buy
  99. Making collodion negatives for Salt Printing.
  100. Exposure 40 min, f/5,6 in wet plate collodion process?
  101. Watch "How was it made? Wet Collodion
  102. question for you wet platers
  103. Wet Plate Print Washing Conundrum
  104. Commendations from 1937
  105. Wet Plate Chemistry Suppliers Based in UK?
  106. I need help with a camera I just got (ICA Sirene 135/1)
  107. Daguerreotype Process: I tincture of Iodine of any use?
  108. Wet Plate Ultra Detail compared with todays films, WHY THIS HAPPENS ?
  109. Building a Wet Plate Camera
  110. Emulsion dry plates
  111. Henry William Jackson glass negative from NGM 1989/2 , Is it colorful ?
  112. Book form plate holders for wet plate
  113. Sun activated Siver iodide nano antibacterial spray and photography
  114. Video on Guy Bellingham's Process for Making Tintype Photographs
  115. Sensitizing box vs tray, and cadmium vs lithium?
  116. Printing techniques from wet plates?
  117. Zebra Tin Type
  118. Lea3 / double salt recipe for portraits
  119. Treshing Show
  120. using strobe
  121. Tabletop tent for wet plate photography?
  122. fERROUS SULFATE
  123. Will Dunniway Book
  124. removing lens coating ???
  125. Hand-coloring Ambrotypes?
  126. 8x10 ambrotype portrait
  127. 8x10 inch wet plate collodion negative make albumen process
  128. intensify collodion negatives
  129. Tintype images washing away
  130. About 8x10 glass plates.
  131. Refurbish No-Name Petzval?
  132. L Shaped Fog?
  133. Help with a 1920s Stand
  134. Newbie: Glass Plate Finishing/Display options
  135. Wet plate collodion wave-like effect on the plate
  136. AMBROTOS KANATA Thanks Everyone
  137. An Off-The-Wall thought For Dry Plate Work
  138. New collodion from UV Photographics
  139. Brass vs “modern” lens
  140. video of wet plate photographer working
  141. Wet Plate for Architectural & Portrait
  142. Best method for labeling glass plates?
  143. Wet Plate
  144. Dry Plates
  145. Lenses for 5x7 wet plate recommendations needed
  146. Took an ambrotype of my Korona view rear tilt mech. 5x8 Scovill. Nikon Nikkor 120 AM
  147. Burnishing plates pre-varnish - who does it?
  148. What are the best lenses for wet plate studio portraits 12X16inch format ?
  149. Satin varnish for texture feel
  150. wet plate/dry plate research and some links
  151. Question about Kaolin (China Clay)
  152. Adequate bottle to protect silver bath from the sun?