Originally Posted by
koraks
I agree with virtually all of the rest you said, but you lost me on that sentence. Deep blacks are a property of the output medium. Regardless of what film used, it's a matter of giving the right paper the right amount of exposure and development to get deep blacks.
If you mean, the way shadows are separated (or not separated all that much), that's a different story (although I still don't agree that this would be a 'classic TMX look'). So perhaps we disagree on word choice, only.
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