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Thread: Etching and Spotting...UGH

  1. #1
    Analog Photographer Kimberly Anderson's Avatar
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    Etching and Spotting...UGH

    Dealing with some dusty negatives. What a pain. Over two hours of etching for some of these prints.

    When you guys get negs that are REALLY bad, does anyone scan them, retouch them then have new negatives made?

  2. #2

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    Re: Etching and Spotting...UGH

    Yeah I have a stack of negs that have issues of various sorts that I hope to scan and then contact print, but you can't use digital negatives in an enlarger because the dots become visible at normal magnification.

    If you want to do it "old school" you make a print, retouch on the print, then re-photograph the print to get a new neg. Of course there is loss of resolution

  3. #3

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    Re: Etching and Spotting...UGH

    It is frustrating. When I get a dusty neg, I spot the clear spots directly on the neg. Then on the print I spot the white spots I created along with the other white spots, using Spotone.

  4. #4
    Drew Wiley
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    Re: Etching and Spotting...UGH

    Nothing converts one to loading film clean more than a good miserable spotting session.
    Scanning and PS might simply the task, but it's still a relatively monotonous chore.

  5. #5

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    Re: Etching and Spotting...UGH

    Quote Originally Posted by Drew Wiley View Post
    Nothing converts one to loading film clean more than a good miserable spotting session.
    You said it, man!

    Spent an hour with vacuum cleaner and Grafmatics last weekend... Little buggers of dust landed as fast as I could pick them off.

    Statistically, I told myself, the dust on the septum will stay there "under" the film.

  6. #6

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    Re: Etching and Spotting...UGH

    I was never any good at spotting negatives. Now that we have digital I scan them and fix them with software.

  7. #7

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    Re: Etching and Spotting...UGH

    If you wet mount them, even on a v700 with a betterscanning holder, lots of problems will go away. provided they arent 35mm that is. Then if you like you could print up a digital negative fro contact printing.

  8. #8

    Re: Etching and Spotting...UGH

    I think it is better to retouch the neg then you are left with a white spot which is far easier to deal with than a black spot. I always screw up the etching and ruin the print. I use a Sakura Pigma Micron 01 super fine pen for this. Works pretty well. I also do it on the side opposite the emulsion fyi.

    If anyone has a better way to do this I am all ears.

  9. #9

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    Re: Etching and Spotting...UGH

    Instead of spotting the negative with dye I've had reasonably good luck roughing up the backside of the negative with a needle to diffuse the light that shines through the white spots. You need a vibrating retouching machine for this but it is a handy little trick. (BTW - nice late model adams retouching machines have been offered for silly low prices on ebay as of late - might be worth getting one and giving it a try).

  10. #10

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    Re: Etching and Spotting...UGH

    Quote Originally Posted by dap View Post
    Instead of spotting the negative with dye I've had reasonably good luck roughing up the backside of the negative with a needle to diffuse the light that shines through the white spots. You need a vibrating retouching machine for this but it is a handy little trick. (BTW - nice late model adams retouching machines have been offered for silly low prices on ebay as of late - might be worth getting one and giving it a try).
    Do you use a condenser enlarger? I've found the procedure completely ineffective with a diffuser.

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