The "convertible Symmars" of the 1960's were certainly not the best that Schneider ever made, I'd go for the 203 Ektar, not a great deal of swing and tilt but incredibly sharp. You can soften a sharp lens but the reverse you cannot do! The Pentac was pretty good but I'm still going for the 203 Ektar.
Lynn
Thanks for the help so far, still tempted by the Pentac, if I can get it cheaply (though last one went for £240, from a starting bid of £9. . . ).
My 8" Pentac does not have Dallmeyer name on it and it is quite soft at wide open. But it is very sharp at smaller apertures.
I'd suggest also searching by the Pentac's specifications (perhaps use the "Dallmeyer" and "f2.9" info), as these were occasionally not branded "Pentac". I have seen these badged as MOD lenses, as well as other military's nomenclature (there was an Australian Defence Force one for sale recently).
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
The 1960's early 70's convertible Symmar lenses that I used were all superb lenses, they were the mainstay of top professional studios here in the UK. What they weren;t was good convertible lenses that's another story but then Schnieder sold the Angulons as Triple convertibles at one time.
Ian
Cheers Ian, given the available bellows extension and what I intend on shooting the longest lens I'd be using would be about 240mm. Unless I move up to 10x8. . .
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