Artist at work. Noted artist and photographer Adeline Lenz at work 1947 painting a mural of the Stackpole hunting lodge, on the walls of the great room of the lodge. She was a 1938 graduate of the Fort Worth School of Photography, a gifted painter, and wife of Mark Lenz, who took this photo of her. Negative was in the bundle handed me by their son for reprinting. 4x5 Kodak safety film, all other info unknown.
Rick Allen
Argentum Aevum
practicing Pastafarian
Portrait of Adeline Lenz, holding a portrait she painted. 4x5 Kodak safety film, photo by her husband.
Rick Allen
Argentum Aevum
practicing Pastafarian
Interesting story....
I met with a lawyer recently in my town to discuss a Civil War reenactment that going to take place over a weekend. I explained that I shot tintypes and he asked me if I knew anything about glass plate negatives. He had a client that wanted them scanned and he was having trouble getting good results. I offered to take a look at them and see if I could scan them. At that point the lawyer mentioned that he believed the photos were of a family from a town 250 miles from here. When he named the family, my jaw nearly dropped as it was my own! It was total luck that I met this lawyer in the first place and that he just happened to have the plates at the time of our meeting. The plates were not in great shape but I managed to get some decent scans of most of them. Here is a photo of who I believe to be my great great grandfather and my great great grandmother:
This is from a 4x5 dry plate negative.
Beautiful story.
David Cary
www.milfordguide.nz
Equipment had nothing to do with it in my opinion one has to remember that there
was an awful lot of retouching the negative and or the print too back then,
especially for portraits, compare the candid snap shot to formal portraits
these old portraits have a painterly look to me.
The are exquisite !
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