I haven't been able to figure this out yet... Why does the rear standard have two slots for the rear rise adjustment? The regular 8x10 woodie (as pictured) is this way, as is the rembrandt.
I haven't been able to figure this out yet... Why does the rear standard have two slots for the rear rise adjustment? The regular 8x10 woodie (as pictured) is this way, as is the rembrandt.
My thoughts were; a quick setup to ensure the back was perpendicular to the rack and a way to stop the back from hitting the rear swing knob underneath.
My B&J monorail has the same design. I've wondered about it, myself.
Mike
Politically, aerodynamically, and fashionably incorrect.
thats my camera, err well it used to be, i sold it a while back, i took that picture of it the first day i got it sporting the 14inch ektar some fellow asked me permission if he could use the picture of some camerapedia site or somethingOriginally Posted by jp498
I haven't been able to figure this out yet... Why does the rear standard have two slots for the rear rise adjustment? The regular 8x10 woodie (as pictured) is this way, as is the rembrandt.
"WOW! Now thats a big camera. By the way, how many megapixels is that thing?"
Your picture is better to illustrate the camera.
Yep, I bought it from you and am still using it. Here it is with a 305 kodak portrait. I also use it with a 300 symmar-s.
Why it's simple:
To lighten the weight of that beefy rear standard and to provide the option of a 1/2" more extension.
That and what Kirk said.
wow great, good to see its still getting used,Your picture is better to illustrate the camera.
Yep, I bought it from you and am still using it. Here it is with a 305 kodak portrait. I also use it with a 300 symmar-s.
"WOW! Now thats a big camera. By the way, how many megapixels is that thing?"
Posting Permissions
Reply With Quote
Bookmarks