I'm impressed that the guy could keep a straight face during this. I would love to see the bluppers. I'll bet they were rolling on the floor.
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
It points to 1st of April, a foolish day here in Europe.^^
since the image is "virtually visible"
you would use virtual movements......
A 1/100,000s shutter speed on a pinhole! Field testers wanted!
Kent in SD
In contento ed allegria
Notte e di vogliam passar!
It's that time of year again. I wonder how the harvest will be this season...anyone know?
http://www.youtube.com/watch?v=27ugSKW4-QQ
That was fun, good afternoon chuckle.
~Joe
The photograph and the thing being photographed are not the same thing.
Great video - well worth watching. And they are looking for 100 volunteers to field test the new camera!!! It makes me feel just a little bit proud to be around when an innovative new technology like this is being launched.
Cut and pasted from my post on APUG on the same topic -- don't want the LFG'ers to miss out!
I wonder if they would like to market my new contrast control filters I have developed for black and white photography. They are simply based on the property of existing filters -- a filter lightens its own color and darkens its opposite color. For example a yellow filter lightens yellow and darkens blue.
It is a two filter set. One filter is made with a specially formulated white coating applied onto glass. It lightens the whites of a scene and darkens its opposite -- the blacks. This effectively increases the contrast of the scene. No more boring flat negatives on those gray overcast days! No extra-long boring development times in the darkroom!
The second filter was more difficult to create -- it took a lot of chemistry and some physics. But a breakthrough in electromagnetical fusionality has allowed me to create a black filter that effectively lightens the blacks in the scene while darkening its opposite -- the whites. Finally a way to reduce contrast in those slot canyons and other high contrast situations without having to do complicated compensating development!
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