A couple of careers ago I actually got paid to do philosophy. I vaguely recall a few of the principles. Some extremely condensed abstract philosophising follows:
Both views of the Seagram building, the one with vertical convergence and the one with parallel sides, are "true". Truth exists and is a concept that applies only to propositions. So what propositions are implied in the two views of the Seagram building?
An easy way into unfolding the problem is to borrow a concept from cybernetics - the black box. A black box is a system that converts an input into an output via a fixed set of rules. We don't need to know the rules, just that they are fixed. Gratifyingly, the system works just as well backwards. If we have an output we can predict the input exactly. Photography works like a black box.
In both pictures of the Seagram building there is a one to one correspondence between points in the picture and points on the actual Seagram building. That correspondence is the transfer function that happens inside the photographic black box. Given either photograph and the transfer function used to make it then it is possible to reconstruct the actual appearance of the Seagram building itself. The two views, convergent and non-convergent, are the outputs of two different but self-consistent black boxes.
The basis of photographic truth lies in the fix-ed-ness of the transfer function that works in the heart of the photographic black box. Conspicuously, a fixed one to one correspondence of points in the picture to points in the subject is not guaranteed in painting, drawing, or digital picture making. These processes may support some true propositions but photographic truth isn't one of them.
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