William Fox's View Finder, treating Mark Klett, Photography and Landscape makes for entertaining and very informative reading. He treats Klett's development sin ce the Rephotographic Project, but weaves that development into a revision of la ndscape and photography.Fox is not selling Klett's vision as THE vision, but sho wing that it deserves recognition as a viable alternative to the sublime landsc ape images of other image makers.

Jack Dykinga's Large Format Nature Photography envelops the reader in Dykinga's beautiful images, his working technique, his preferences and esthetic.While the text seems only to be a tools/technique book, it also reveals how Dykinga has de veloped his esthetic to match his vision of the land he has chosen to examine.

Both books show us the very different roads taken by two of the best landscape p hotographers working today who have consistently produced excellent and thought provoking work, but who let the work speak for itself They make good reading. Bob