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Thread: post alternative techniques

  1. #4021
    Tin Can's Avatar
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    Re: post alternative techniques

    Very nice!
    Tin Can

  2. #4022

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    Re: post alternative techniques

    Quote Originally Posted by Martin Aislabie View Post


    Fabulous

    Martin
    Thanks Martin.
    Paul

  3. #4023

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    Re: post alternative techniques

    Quote Originally Posted by DaveF View Post


    Exactly same as before except Green Tea Toned, 1minute only.

    Green Tea toner: 8 Tea Pigs green tea bags brewed in 1.5l boiling tap water for 15mins.
    Great work, I like the softness in tones on the first one, but prefer the second, has a nice two tone effect.
    Paul

  4. #4024

    Join Date
    Aug 2015
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    182

    Re: post alternative techniques

    Many thanks indeed.
    In a slight face-palm moment, I also now realise I used the wrong neg to do these with - I used the neg with the curve I built for Argyrotype for these: a very different beast from the Cyanotype curve. I'm actually fine with this result - the Cyanotype curve introduces much much more contrast esp in the lower mid-tones; but the lighter effect of using the wrong neg for these has worked (accidentally) very well for these negs. Also indicates (for those who were wondering) why there is a lack of contrast - since the argyrotype neg has simply taken quite a lot of it away. I may do the marjoram print again with the correct negative, and wash it in distilled water for a good while to see if I can get the highlights looking a bit clearer.
    My go-to message to self with Alt pro is that no "mistake" is a real mistake unless you have a completely unusable image. Everything is an experiment!
    http://www.davidfearnphotography.co.uk
    see too my 5x4 and 8x10 flickr albums

  5. #4025

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    Aug 2015
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    Re: post alternative techniques

    In one further discovery/note to self, if you mask off the neg with rubylith when doing these, it's then impossible to tell which neg you are using if the marker pen note in the neg border is covered up... Further complications in the setup always introduce further possible places to make "mistakes"!!
    http://www.davidfearnphotography.co.uk
    see too my 5x4 and 8x10 flickr albums

  6. #4026

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    Aug 2015
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    182

    Re: post alternative techniques

    Glasshouse Doorway, Marjoram Toned Cyanotype




    
Hot Marjoram Tea toned, 10mins
    DIY digital neg from scanned 5x4 film original, printed on Hahnemühle Platinum Rag 11x15. (Using the Cyanotype curve negative this time!! Makes quite a difference...)
    Originally shot on Ilford Delta 100 with Linhof TK S45 and Scheider Apo-Symar MC 150mm f/5.6
    http://www.davidfearnphotography.co.uk
    see too my 5x4 and 8x10 flickr albums

  7. #4027
    bob carnie's Avatar
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    Toronto, Ontario,
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    Re: post alternative techniques

    Click image for larger version. 

Name:	LO -2.jpg 
Views:	143 
Size:	79.4 KB 
ID:	236648 This is a multiple coat gum bichromate, Original shot on 8x10 E6 film and crossed processed in C41 developer.

  8. #4028

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    Re: post alternative techniques

    Quote Originally Posted by bob carnie View Post
    Click image for larger version. 

Name:	LO -2.jpg 
Views:	143 
Size:	79.4 KB 
ID:	236648 This is a multiple coat gum bichromate, Original shot on 8x10 E6 film and crossed processed in C41 developer.
    Wow. Beautiful print!

  9. #4029

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    Sep 2004
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    Palm Springs, CA
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    487

    Re: post alternative techniques

    Wells Cathedral London - Color Bromoil. 35mm color slide scanned (very high resolution) and printed on Fixxons transparency film as an 8 x 10 digital negative. Then printed onto 11 x 14 Arches Platine watercolor paper coated with FOMA liquid emulsion, bleached/tanned and inked for a color bromoil print.

    Click image for larger version. 

Name:	Wells Cathedral 1.jpg 
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ID:	238132

  10. #4030

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    Re: post alternative techniques

    Quote Originally Posted by bob carnie View Post
    Click image for larger version. 

Name:	LO -2.jpg 
Views:	143 
Size:	79.4 KB 
ID:	236648 This is a multiple coat gum bichromate, Original shot on 8x10 E6 film and crossed processed in C41 developer.
    That's very cool, Bob!

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