I'm not sure if you can pull that off easily with a Graphic press camera. I never measured the max bellows extension but...
Don't wait for "the perfect set of gear": shoot your models with what you have. Environmental portaiture in natural light works for me with Speed Graphics. Fun too!
For formal portraits (head and shoulders) I agree that longer lens is geenrally better. I crave a 300 for general shooting but have used a sharp 210 and soft focus 250 for portraits. These are used on a monorail with long bellows, though, so I know there are no bellows issues.
Bookmarks