What did you compose at Waters Edge?

[_tf_]

Edro III Shipwreck, Cyprus by Sean Amadio
Chamonix 45F-2, 150mm Nikkor f/5.6 @ f32, 3min, Portra 160

This is beautiful, love the overall composition as well as the tones.

[h2oman]

Yeah, that's really cool how the foreground rock balances and repeats the form of the boat!

[MultiFormat Shooter]

Edro III Shipwreck, Cyprus
Chamonix 45F-2, 150mm Nikkor f/5.6 @ f32, 3min, Portra 160

Absolutely beautiful; I love how the tones in water and sky compliment each other.

[Bill Rolph]

Sorry about the iPhone picture of my 11x14 contact print. Tmax 100 film expired in 1995 with d76 and ilford galleries 3 paper

Excellent work capturing the light.

[austin granger]

Under the St. Johns Bridge, Portland, Oregon by Austin Granger, on Flickr

[otto.f]

Nice! The edge to edge sharpness, at least at the right, makes me curious about the lens you used

[austin granger]

Thank you. I used a Rodenstock 90mm f/6.8. The film was FP4 125.

[esearing]

Under the St. Johns Bridge, Portland, Oregon by Austin Granger, on Flickr

Last time I was in Portland there was a guy who had a boat similar to that but he was driving it down the street.

[Thad Gerheim]

Which photo is more appealing, the early morning lighting or the afternoon light? These were taken and cropped from a 5x7 Deardorff on Kodak E100.
Selway Morning by Thad Gerheim, on Flickr
Selway Afternoon by Thad Gerheim, on Flickr

[Tin Can]

First