What did you compose at Waters Edge?

[gmed]

Very nice, Gevork. I love the mystery of the fog, the muted, pastel tones, and the shutter speed worked out well.

thank you. So do I, I love Ektar and Portra 160 for seascapes. very sharp, very fine grain. the one issue I have with Ektar is when used in slightly colder weather, I can never get it to acclimate to the weather well to avoid any condensation, so it always shows on the scans.

[gmed]

Made with Fuji Velvia 50 with 6 stop ND filter, then converted to BW
Chamonix 45F with Nikon 150mm, B+W 6 stop ND filter

CDM_3_BW-Edit copy by Gevork Mosesi, on Flickr

[viboons]

Chamonix 45F-2 210mm f5.6 Sironar-N
FP4+ 125 f32 45 sec. DDX 10 min.

[mono]

Chamonix 45F-2 210mm f5.6 Sironar-N
FP4+ 125 f32 45 sec. DDX 10 min.

Well done!

[ericantonio]

Made with Chamonix 45F camera and Rodenstock 75mm lens, Kodak Ektar 100 film

Carmel_Ektar_100_3 copy by Gevork Mosesi, on Flickr

Beautiful!

[Heroique]

Made with Chamonix 45F camera and Rodenstock 75mm lens, Kodak Ektar 100 film.

I've seen many "bridal veil" water falls, but this is my first bridal veil tide.

[viboons]

Well done!

Thanks

[otto.f]

Well done!

+1! Great detail, great tonal scale. Seeing FP4 photo’s I always get confirmed that it is such a good film, especially for landscape and these type of scenes. I have a still well filled box of Delta100 now which is lovely, but a bit civilized. I often prefer the bite of the FP4.

[gmed]

Chamonix 45F with Nikon 135mm, Ilford Delta 100 in D76

Into the Sea by Gevork Mosesi, on Flickr

[keeds]

Landguard Point, Felixstowe
Ritter 7x17
G-Claron 355mm
Ilford HP5 | ID-11 1+1

Still having some issues with rotary development of the 7x17 in JOBO 2850 tanks but mostly rescued after scanning and processing.