What did you compose at Waters Edge?

[FrancisR]

img438_v2

Graflex Crown Graphic
Ektar 137mm
Fomapan 200

[John Earley]

Gibillini Bellatrix 8x10, 300/5.6 Fujinon W, Arista EDU Ultra 200, f90@1sec, HC-110h in an SP810 daylight tray, scanned on an Epson V800 and post processed in Lightroom.

Beaver Lake, Pocahontas Park VA by JOHN EARLEY, on Flickr

[Alan Klein]

Nice shot John. Sharp, good contrast.

[John Earley]

Nice shot John. Sharp, good contrast.

Thanks!

[Tobias Key]

A shot I have had my eye but getting low tide, dusk and some decent weather to coincide can be tricky!

Bosham Harbour Low tide by Toby Key, on Flickr

Wista 45DX 210mm, APO Symmar, Ilford HP5 plus in DDX, orange filter

[Ulophot]

Tobias, this is a marvelous image.

[Tobias Key]

Tobias, this is a marvelous image.

Thanks Philip!

I also made another version from a lower viewpoint, which involved getting rather muddy.

Bosham Harbour Landscape March 21 by Toby Key, on Flickr

[kevinjp]

Haven Falls in Michigan's Upper Peninsula. This was during some colder Spring temperatures, or the water would have been flowing a little better. The cedar tree on the left side was in full morning sun along with a hot spot on the bottom of the falls and being new to LF and b&w film I was curious how the film would handle it.

Toyo 45AII, Schneider Symmar 135mm, Delta 100.



Haven Falls by Kevin Pihlaja, on Flickr

[John Olsen]

Tobias,

I like the vertical composition best. Keep at it.

[Heroique]

Tobias, I like the vertical composition best. Keep at it.

I lean toward the vertical shot, too, but both shots are quite satisfying.

Not sure why I lean toward the vertical one...

Hmm, maybe I am. For one, I like the creek emerging from the frame’s side border, rather than from the frame’s bottom border. Maybe easier on the mind’s eye? The clouds are really nice and moody in both shots.

Haven Falls in Michigan's Upper Peninsula. [...] I was curious how the film would handle it.

I like how you’ve captured the black rock’s eroded texture, even if it was at the expense of the brightest portions of snow and water.