Lasse Thomasson | Instagram
Borka from another angle on another day
Chamonix 45H-1 with 4x10 back, G-Claron 355mm and E100
Lasse Thomasson | Instagram
Nicely done, Bryan. It is a difficult image to pull off. You have blended together the fore/mid/background well and avoided what can sometimes give the viewer the feeling of looking at two different images in one photo (I find it distracting). I might print it with a little more atmospheric distance, but that is my Death Valley -- a shake 'n' bake in an oven set too high.
This is the backside of Manly Beacon -- I believe...it has been awhile and sometimes it can be difficult knowing exactly where one is. At the back end of Golden Canyon, though.
16x20 silver gelatin print from 4x5 (150mm lens).
"Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China
Rush Creek Canyon from Grant Lake with Reversed Peak in Background. Platinum-toned Kallitype.
Toyo 810 MII w/300mm Nikkor-W.
Thanks Vaughn. I'll have to experiment with the printing. This is pretty much a straight scan, but I forgot to mention that I used both an R25 filter and polarizer. I was hoping, and got, a good deep shadow with detail in the mountain on the upper right, but I wasn't sure what the sky would do with that filtration. Pretty much the same thing it does here in the summer - a middling grey.
Forgot to mention that this was shot with a B+W UV circular filter and a Tiffen Deep Yellow 15 4x4 filter (1-2/3stops.) The Yellow filter really brings out the detail. Initially I was somewhat concerned about leaving the UV on (overkill?) but left it on. The resulting exposure was f22-1/3 at 1/15 second on Delta 100.
Thomas
Along the Vapst river, northern Sweden
Chamonix 45H-1 with 4x10 back, Fujinon 125mm NSW, FP4+
Lasse Thomasson | Instagram
Bookmarks