Thanks Vaughn. I'll have to experiment with the printing. This is pretty much a straight scan, but I forgot to mention that I used both an R25 filter and polarizer. I was hoping, and got, a good deep shadow with detail in the mountain on the upper right, but I wasn't sure what the sky would do with that filtration. Pretty much the same thing it does here in the summer - a middling grey.
Forgot to mention that this was shot with a B+W UV circular filter and a Tiffen Deep Yellow 15 4x4 filter (1-2/3stops.) The Yellow filter really brings out the detail. Initially I was somewhat concerned about leaving the UV on (overkill?) but left it on. The resulting exposure was f22-1/3 at 1/15 second on Delta 100.
Thomas
MT.Lemmon Wisner FP4 XTol
Along the Vapst river, northern Sweden
Chamonix 45H-1 with 4x10 back, Fujinon 125mm NSW, FP4+
Lasse Thomasson | Instagram
Difficult lighting, well done Bryan!
+1 from me as well--very impressing sifting of tones here, so any liner notes would be appreciated. Otherwise, my favorite so far--though I think the barn/lane shot will be a bestseller for you.Originally Posted by Gary Beasley
Very nice. I like it a lot
Lasse Thomasson | Instagram
Thanks y'all! The light was so different there than what I was used to. It didn't feel overly contrasty and I think my meter reading gave me a solid 7-8 stops, but the impressive array of green tones makes a great greyscale! I shot this in color too I think...
CB, this is developed in Pyrocat 1:1:100, for 20 minutes at 75F, with agitation at the start and every 6-7 minutes. So not quite stand development but almost. Also, the developer is used twice. Once for 5 rolls of film (agitated normally, 11 minutes) and then 6 sheets of 4x5. This seems to work well for me and is economical when I shoot a lot of rolls and sheets!
So how did the Hao do in the Hoh?
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