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Thread: Large Format Landscapes

  1. #16191

    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    One more from Panola Mountain
    Very cool--y'all's flatrock granite outcrops are a neat ecosystem that remind me a lot of the cedar glades here in Tennessee. I could definitely see a Porter-esque series, and scampering up Yonah a couple of times a week with your 8x10 kit would no doubt keep you limbered-up.

  2. #16192
    Corran's Avatar
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    Apr 2011
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    North GA Mountains
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    8,924

    Re: Large Format Landscapes

    Yeah that'd definitely whip anyone in shape! I suggested Yonah recently for a team-building outing at work but they weren't too keen on that hike!

    There's another mountain nearby with better access called Arabia. There are some interesting red flowers blooming. Unfortunately my work schedule is killer till mid-May so I'll probably miss it.
    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  3. #16193

    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    There are some interesting red flowers blooming.
    I think I might see a patch of elf orpine in your photo--kind of a sedum-y, stonecrop-y ground cover--definitely makes for an interesting color palette, though not quite as serene as the mesic coves here in the Smokies.

  4. #16194

    Join Date
    Sep 2021
    Posts
    265

    Re: Large Format Landscapes

    Kodak TMax 100 expired in 2008, Kodak HC-110

    Oak tree in lake by Jingmin Zhou, on Flickr

  5. #16195

    Join Date
    Feb 2016
    Location
    Wassenaar, NL
    Posts
    439

    Re: Large Format Landscapes

    Great!

  6. #16196

    Join Date
    Oct 2015
    Posts
    1,573

    Re: Large Format Landscapes

    Quote Originally Posted by Corran View Post
    Yep, Grafmatic. I just bought two more. A lot of folks take the numbers out but personally I like them and they rarely intrude on my prints much.
    I'm one of the folks who have removed the number wheel. Many times, I tend to compose fairly tightly to the edge and I found I needed an unfavorable crop to remove the number. It was no problem when scanning and working on the desktop, but tended to be an issue when printing in the darkroom. Since I like to do both, the numbers are gonzo on all my Grafmatics.

  7. #16197

    Join Date
    Oct 2015
    Posts
    1,573

    Re: Large Format Landscapes

    @newtorf, Not to steal the words of John Sexton, but I love the quiet light in your Oak Tree image.

  8. #16198

    Join Date
    Aug 2015
    Posts
    182

    Re: Large Format Landscapes

    Eglwys Cwyfan, Provia 100F pano



    Anglesey, Wales
    9:55am, 11/04/22


    Chamonix 810V, Nikkor-W 300mm f/5.6
    Fujichrome Provia 100F 10x8
    ¼” f/45, front tilt
    Lee 0.3 hard GND


    Home-developed in Bellini E6 (FD 7'10") with Jobo 3005 on manual roller base, chemistry at 40ºC.

    Silverfast/Epson V850

    Cropped to 4x10 panoramic; warmed up and selectively desaturated in post for a more wistful feel. See alternative processes for an anthotype made with a B&W reversal slide version of same scene.
    http://www.davidfearnphotography.co.uk
    see too my 5x4 and 8x10 flickr albums

  9. #16199

    Join Date
    Sep 2021
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    265

    Re: Large Format Landscapes

    Thanks, Alan!

    Quote Originally Posted by Alan9940 View Post
    @newtorf, Not to steal the words of John Sexton, but I love the quiet light in your Oak Tree image.

  10. #16200
    Martin Aislabie's Avatar
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    Oct 2008
    Location
    Stratford-upon-Avon, England
    Posts
    783

    Re: Large Format Landscapes

    Quote Originally Posted by DaveF View Post
    Eglwys Cwyfan, Provia 100F pano



    Anglesey, Wales
    9:55am, 11/04/22


    Chamonix 810V, Nikkor-W 300mm f/5.6
    Fujichrome Provia 100F 10x8
    ¼” f/45, front tilt
    Lee 0.3 hard GND


    Home-developed in Bellini E6 (FD 7'10") with Jobo 3005 on manual roller base, chemistry at 40ºC.

    Silverfast/Epson V850

    Cropped to 4x10 panoramic; warmed up and selectively desaturated in post for a more wistful feel. See alternative processes for an anthotype made with a B&W reversal slide version of same scene.
    Very nice Dave

    Martin

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