I'm starting a new thread here for people's impressions of this stuff. I know that it will eventually devolve into a discussion of some ancillary thing (amidol, MAS, modern manufacturing) but it's worth a shot.
I printed an image on it tonight, but didn't have time to do a comparison print with my remaining Azo or step tablet prints. The image was of the boulder field at Hickory Run in PA on old 8x10 TMY, with some snow and dark shadows, so it was a good test of the scale. My first thoughts:
1. This is purely a bare bulb paper. My exposure was 49 seconds at 3 feet from a 75-watt incandescent in a reflector.
2. It's more robust than Azo, but it's somewhat easy to flake the emulsion off the edges with tongs when it's wet. This is probably still a paper to use your hands with, despite it being double-weight.
3. The image surface and quality is very Azo-like. It can definitely pass for Azo.
4. Lodima goes blue in Dektol, but doesn't turn cyanotype-blue like Azo did. It's almost an acceptable cold tone.
5. Lodima tones across a smaller range of tones than Azo in selenium. It goes neutral quickly and predictably in 1:7 at 75 degrees. It does not seem to reach the kind of lurid red you could get with Azo in selenium, or if it does, Lodima does not do so readily.
6. There is one thing I would like to see corrected in future runs. This paper has an intense curl in the box. When I cut the seal, the box started to open on its own, and I had to Scotch tape the thing shut again after getting out each sheet or test strip. A real drag in use, and I had to weigh down the box top when I put it away because I don't trust the Scotch tape.
Overall, I was pretty happy. I could definitely use this paper, depending on how MAS works out the second run production details.
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