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Thread: safe haven for tiny formats

  1. #14401

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    Re: safe haven for tiny formats

    DSCF1984 by rrunnertexas, on Flickr

  2. #14402

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    Re: safe haven for tiny formats


    Overturned Teacup, February 2020

  3. #14403

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    Re: safe haven for tiny formats

    Fujifilm X100T by rrunnertexas, on Flickr

    Near downtown Fort Worth, Texas - Fuji X100T - International pickup truck

  4. #14404
    jp's Avatar
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    Re: safe haven for tiny formats

    Quote Originally Posted by Ken Lee View Post

    Overturned Teacup, February 2020
    I loved your teacup images from a couple years ago! Glad to see you back at this subject.

  5. #14405
    Tin Can's Avatar
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    Re: safe haven for tiny formats

    Pitcher2 by TIN CAN COLLEGE, on Flickr
    Tin Can

  6. #14406
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    Re: safe haven for tiny formats

    Tin Can

  7. #14407

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    Re: safe haven for tiny formats

    Quote Originally Posted by jp View Post
    I loved your teacup images from a couple years ago! Glad to see you back at this subject.
    Thank you so much Jason.

    Now you're to blame if I get lost in them again


    Teacup, February 2020

  8. #14408

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    Re: safe haven for tiny formats


    Teacups, February 2020
    Last edited by Ken Lee; 2-Feb-2020 at 12:35.

  9. #14409
    jp's Avatar
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    Re: safe haven for tiny formats

    Quote Originally Posted by Ken Lee View Post

    Teacups, February 2020
    I think I'm starting to figure out what I like about them. Composition seems to be based more on simple design harmony rather than formulas of lines and shapes. There is not a straight line to be found, so it's transcending normal photographic line and shape based composition. Composition is also based on tonal areas, like Notan style popular with the pictorialists and other end-of-19th-century artists which I am fond of as taught by Arthur Wesley Dow.

  10. #14410

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    Re: safe haven for tiny formats

    Quote Originally Posted by jp View Post
    I think I'm starting to figure out what I like about them. Composition seems to be based more on simple design harmony rather than formulas of lines and shapes. There is not a straight line to be found, so it's transcending normal photographic line and shape based composition. Composition is also based on tonal areas, like Notan style popular with the pictorialists and other end-of-19th-century artists which I am fond of as taught by Arthur Wesley Dow.
    I didn't have anything in mind when making these photos, but after the fact - if something is pleasing - we can usually discover some kind of harmonic principle at work. It's a bit of circular reasoning: if we feel that the brain prefers certain harmonies, then if we like the image there must be some harmony afoot.

    Here's a stab at it: a Fibonnaci growth function, from right to left. It covers some of the main elements (horizontally) but there are probably too many others to reckon. If this game were simple, we would have lost interest a long time ago.


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