My Spotone drop control sheet doesn't mention Ilford FB Warmtone. Does anyone have a ballpark color mix for it? My prints are selenium toned but I pull them just before any noticeable color shift. I hope to fine-tune the formula once I know where to start.
www.joelbrownphotography.com
After readying what I wrote, even I wasn't sure what I was asking, and it looks like over 100 members didn't either. So let me restate what I mean.Originally Posted by Joel Brown
I use spotone dyes for spotting my prints. Spotone #1, #2, and #3 are the dyes I have mixed for spotting Kodak's Polymax, and Oriental's Seagull FB paper. Now that I am printing on Ilford's Warm Tone paper, I can't seem to find the right combination for a good color mix. Does anyone use Ilford warmtone and Spotone, and worked out the best mixing combination?
www.joelbrownphotography.com
Joel,
I spot ilford warmtone with the neutral black bottle and it isn't noticeable.
I have done this for years and it does not show.
I have retouched fairly large areas where the sky breaks through leaves creating disturbing bright spots by completely covering them and you cannot notice a change in hue.
Thank you Domenico. I have the exact same situation as Joel, and just noticed this thread.
Thanks Domenico, I'll give it a try.
Joel
When I was printing on Portriga Rapid, selenium-toned the same way as yours (just enough to get rid of the greenish hue), I was using 5 drops of #3 and one drop of S. Your results will most likely differ.
Vaughn
We used to recommend the following mixture as a starting point to our students for Ilford FB warmtone with Ektaflo Type 2, D-52 or Agfa Neutol WA developers
12 parts #3 and 14 parts #0
Happy Spotting,
John
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