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Thread: Alternative Process Prints

  1. #41
    Vaughn's Avatar
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    Re: Alternative Process Prints

    "Argyrotype on silk paper"

    Absolutely lovely!

    Vaughn

  2. #42
    Vaughn's Avatar
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    Re: Alternative Process Prints

    This was taken from inside a sea cave, looking out into the sunlight. My meter read 0 in the darkest areas and 13 on the sunlit sand. I gave the neg normal development.

    Scanned carbon print (5x7)

    Vaughn

    Oh, well...terrible scan, lots of dust on the glass -- far too much to "spot out" in PhotoShop. I'll have to rescan it someday.

  3. #43

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    Re: Alternative Process Prints

    Quote Originally Posted by PViapiano View Post
    Marco and Anupam...

    What papers are these?

    It is a sheet of paper a friend of mine gave me to try some prints. I do not remember the brand right now, but if you need it I can ask him!


    Marco

  4. #44

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    Re: Alternative Process Prints

    Quote Originally Posted by Benno Jones View Post
    Here's a second argyrotype. Full disclosure: The scan is much darker than the print. I need to work on this one some more, but this is how I envision a final print.

    Pinhole image taken with a Leonardo 3" 4x5 camera on Fuji Acros @ EI 50, 12 minute exposure. Developed in Pyrocat-HD 1:1:100 for 36 minutes. Printed on Cranes Cover paper in Bostick & Sullivan Argyrotype sensitizer, toned in KRST 1:100 for 1 minute.
    aha, I though that looked like selenium toner.... I've found that print color to be my favorite, but not everything works with that golden glow. I think that's one of the argyro qualities I like -- colors from chocolate to warm gray and different contrast from a single negative.

  5. #45

    Re: Alternative Process Prints


    from last xmas in Petersham, MA

    12x20 cyanotype over platinum/palladium print on fabriano artistico extra white.

  6. #46

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    Re: Alternative Process Prints

    Quote Originally Posted by Matt Magruder View Post
    from last xmas in Petersham, MA

    12x20 cyanotype over platinum/palladium print on fabriano artistico extra white.
    please tell me more of how you did a cyanotype over PP? i am not 100% sure i understand.....

    wonderful print!
    My YouTube Channel has many interesting videos on Soft Focus Lenses and Wood Cameras. Check it out.

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  7. #47

    Join Date
    Mar 2005
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    Re: Alternative Process Prints

    Quote Originally Posted by Darryl Baird View Post
    aha, I though that looked like selenium toner.... I've found that print color to be my favorite, but not everything works with that golden glow. I think that's one of the argyro qualities I like -- colors from chocolate to warm gray and different contrast from a single negative.
    So far I'm toning in KRST because that's what I have on hand. I plan to try gold and palladium toning to see how it looks as well.

  8. #48

    Re: Alternative Process Prints

    Oops, I overlooked the two questions on my post. Yes, the print has a bit more detail, but my print scanning skill aren't very good yet. And the paper was Canson Montval watercolor sized in gelatin. I am looking for something with a smoother surface.

    Here's another shot while I am at it:

  9. #49

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    Re: Alternative Process Prints

    Quote Originally Posted by Matt Magruder View Post

    from last xmas in Petersham, MA

    12x20 cyanotype over platinum/palladium print on fabriano artistico extra white.
    Fantastic image.

  10. #50
    alec4444's Avatar
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    Re: Alternative Process Prints

    Couple contributions. Still learning plenty.

    1) Cyanotype from Eastern State Penitentiary - 11x14

    2) Salt Print from Governor's Island in NYC - 5x7

    3) VDB of Angry Wife (not interested in my photography antics that day) - 11x14

    #3 used that "mystery lens" Jim kindly sold me. Thanks, Jim! Imagine what that could do if she were smiling! The vertical line on the right side was my careless application of the chemical to the paper....it's not on the neg.

    Cheers!
    --A

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