Well, you're right about the jumble and I'll admit that some recent color work here ("Yankee Boy" above, for example) is breathtaking. I'm self-limiting because of my churlish resistance to digital printing and I know I should just get over it. I used to shoot color and do R4 prints, but they would be embarrassingly dull compared to current digital outputs. As you suggest, larger prints help so that the viewer can feel more inside the image. I have been going up to 16x20, which is my darkroom limit. Thanks for the valuable input.
More water, less jumble? This is Smith's Falls in Border County, Idaho. Toyo 45G, 210mm lens with Rollei infrared, scanned from print.
[IMG]SmithFalls13BFlkr by John Olsen, on Flickr[/IMG]
Smith sure had some nice falls! Well captured and the IR adds to it.
Good images. I set up to photograph a small waterfall in Crested Butte, CO. People watched me set up then spent the rest of the time taking selfies and family snapshots in front of my camera. God was testing my patience. I finally left an hour later with no image. Going back hopefully in a couple weeks when the colors have come out so will try then.
I posted this in the landscape thread, but thought I'd double up since I have no better way to waste time when I should be cutting mats.
I was on a 25+ mile bike ride in July with the 5x7, testing out the possibilities. A small little fall in Ossagon Creek, the last drop before the creek meets the beach.
5x7 platinum/palladium print
"Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China
Rework of an old scan.
Sixpenny Creek by Scott, on Flickr
Korona 8x10, Wray Lustrar process lens
Refreshingly different waterfall view.
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