I've noticed an interesting lack of commentary, positive or negative, on these two 4x5 monorail models by Graflex. Considering their pricing on the used and internet (e.g. ebay) market, and the wealth of lenses that are readily available AND inexpensive AND usable on the many hand-held Graflex press cameras - this seems bizarre. Why especially if you are not trying to either "keep up with the Joneses" or make your living a this?
I am the happy owner of an Army Anniversary Speed Graphic [in terrific condition] with lenses from 90mm to 270mm. I shoot landscape for the most part, and can put the camera and most accessories in a Jansport backpack, yes, the kind kids tote to school. And, I've had some very good sucess with architechtural photos, though limited.
Because I am relatively new to this - 2 years- and it is only a hobby; not by bread and butter, I may be missing the point. But, I don't see why so many posts argue for entry/mid level monorail cameras that cost about $1000-2000, not to mention that one (1) lens for that camera will cost half as much. My Ann. Speed Graphic with orig. Haliburton case, 15 Fidelity and Riteway holders, Polaroid back, three lenses and spare lensholders cost less than $1000.
Any illumination you can provide would
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