I like it too. Makes me wonder why we as human beings have an intuitive liking for certain compositions and others not and even have developed norms about good compositions, like the golden section.Originally Posted by Robert Opheim
I like it too. Makes me wonder why we as human beings have an intuitive liking for certain compositions and others not and even have developed norms about good compositions, like the golden section.
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Portra 160.
York Minster, Kings' Screen, Grand Organ, South Transept & Rose Window, alt. by atomstitcher, on Flickr
Wista 45N with single-coated Fujinon W 180mm f5.6 lens, Shanghai GP3 100 film
Kodak TMAX 100 4x5 film expired in 2000, Legacy Pro L110 developer.
Sculpture and water fountain by Jingmin Zhou, on Flickr
Linhof Technikardan S45, Fujinon C 12.5/450, Heliopan CPL, Acros 100, Pyrocat-HD.
--- by atomstitcher, on Flickr
Linhof Technikardan S45, Fujinon C 12.5/450, Lee Red 23A, Acros 100, Pyrocat-HD.
Chapel - Window Detail by atomstitcher, on Flickr
I really like the Acros tonality. Well done!Linhof Technikardan S45, Fujinon C 12.5/450, Lee Red 23A, Acros 100, Pyrocat-HD.
Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/
“The secret of getting ahead is getting started.”
― Mark Twain
Thanks Daniel. Acros is one of my favs too.
Des Plaines, Illinois
Woodyman 4x5, Fujinon 150mm, Fomapan 200
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