post your trees!

[David Lobato]

Looking through negatives and proofs and bumped into this unprinted image from Canyon del Muerto. Shot a couple years ago.

Attachment 139960

Robert, that's really nice.

[bobwysiwyg]

It sure is! I really like it. Good eye.

[Michael Lloyd]

Looking through negatives and proofs and bumped into this unprinted image from Canyon del Muerto. Shot a couple years ago.

Attachment 139960

Wow, I opened the image before I read your comment. My first thought was- I know where that is. Then I read you comment and sure enough, some friends and I were in Canyon del Muerto during the NPS shutdown. The image is outstanding

[Kevin J. Kolosky]

from last week
8x10 fomapan 100 in ultrafin 1+20
"Fontaine de Vaucluse, France"

This is a nice photograph, but with all due respect, it could be a lot nicer.
First, its a little soft on the bottom. some better use of tilt could fix that.
Second, its very flat. Perhaps wait and see how the sun moves over the scene and try to pick a time when its not so flat.

[ImSoNegative]

one shot today with my 8x10 pinhole and some xray film

late evening on the toccoa by john golden, on Flickr

[nede]

This is a nice photograph, but with all due respect, it could be a lot nicer.
First, its a little soft on the bottom. some better use of tilt could fix that.
Second, its very flat. Perhaps wait and see how the sun moves over the scene and try to pick a time when its not so flat.

Thank you Kevin, it was just straight from scanner, I did a contact print on fomalux SP111, it's a lot better! even if doesn't add sharpness where it was soft
thanks for your comment
Edit: I just scanned the contact print, I adjusted it to look like the print

[rado]

Foma 100, 150mm

[Maris Rusis]

Sometimes I reckon it's ok to let a photograph go the way it wants to go. This photograph has deep shadows and gleaming white wood in brilliant sunshine. I could have metered the whites and the shadows and controlled the zones by giving N-2 development but the result might be mild rather than wild. The top highlights are nearly paper base white but the photograph is small and these areas seem to read right.

Snow Gum Skeleton, Kangaroo Ridge.

Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.4cm, from a 4x5 Arista Edu.Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens. Titled and signed recto, stamped verso.

[AlexGard]

iPhone pic of 8x10 wpc plate made on Wednesday

Attachment 140048

[AlexGard]

Sometimes I reckon it's ok to let a photograph go the way it wants to go. This photograph has deep shadows and gleaming white wood in brilliant sunshine. I could have metered the whites and the shadows and controlled the zones by giving N-2 development but the result might be mild rather than wild. The top highlights are nearly paper base white but the photograph is small and these areas seem to read right.

Snow Gum Skeleton, Kangaroo Ridge.

Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.4cm, from a 4x5 Arista Edu.Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens. Titled and signed recto, stamped verso.

Great image as always Maris. The tree almost looks like fire, or a nerve structure.
Been looking forward to seeing these from your latest Snowy escapades.
I must get up there again.