They say the water is also very hard for people who jump off the Golden Gate Bridge.
They say the water is also very hard for people who jump off the Golden Gate Bridge.
Out where I live in Tonopah Nevada the water is very hard and would even leave calcite deposits on finished negs. I solved the problem by putting SODIUM HEXAMETAPHOSPHATE- Calgon in the final rinse. My Jobo tank never looked so pretty as after I did that. It's the same stuff that keeps the water spots off your glass ware in the dishwasher. Ebay sellers sell it in bulk. A lifetime supply will cost about $16 bucks. It takes very little to be effective. Enough powder to just cover about half of the top of a nickel. I never measured to see how much that is, maybe .3g or so.
My experience is that there are two issues - one is physical, and one is chemical. The physical issue is the matter of residues left (mainly) on negatives, but potentially also on prints. Having softer water helps, but the best results with negatives is to use use either distilled or filtered water for the final rinse. Having worked with both hard and soft water, I could not perceive any difference in prints. Perhaps if the water had been even harder, there could have been a difference.
The other issue is the matter of the response of chemicals. I did see a distinct difference in the Cibachrome color printing process when we switched from hard to soft water. But I could not see any change at all in the response of black and white chemicals.
I believe that the US Navy found that seawater was effective than in fresh water in removing fixer from both negatives and prints, and so they designed their shipboard darkroom systems to use seawater for washing, and reserved their precious potable water for the final rinse. Modern hypoclear formulations are supposedly based on this research.
I haven't had any problems. Our water here is very hard. I use these wetting agent drops in my final rinse that makes the water just shed right off negatives (and prints, though I usually don't bother for prints as I haven't had problems yet) and doesn't leave any spots.
I have 29 grains hardness. A glass of standing tap water precipitates calcium carbonate. No iron, no chlorine, so that's good. I mix film developer with distilled or RO water. And the last dunk of negatives in photo flo bath is always freshly mixed with same. No issues yet, but it's only been since '75.
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Water softener is for dishwasher and bath. Converting Calcium carbonate to sodium carbonate isn't a good idea for developers especially. I have a RO system, I use it always when mixing powdered developers. Since I'm stuck with soft water, which is a good thing, it keeps lime from building up in processors and washers. I can't mix XTOL with my softened water because of the high concentration of sodium carbonate, it salts out in a cool room.
I never had problems when I lived in a city with 10-14 grains of hardness. Last week I put in a new softener, the tap water here went right off the scale on the test strips, in excess of 25 grains.
I love my RO system but most tap water works fine, even hard water for almost every solution, including color. Baths are sure great with the soft water too.
I also have hard water with 13.5 grains of hardness which isn’t as much of an issue as the high iron content. So I only use distilled water when mixing chemicals that aren’t one shot. I always use distilled water and rinse aid for the final rinse. I used tap water once and even with rinse aid left horrible water spots.
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