1) No matter how much I take care, these filters accumulate blemishes and muck. My general glass-cleaning tools include a micro fiber cloth, canned air, and a lens pen. Maybe I'm lazy but I can't see myself using this approach with a rectangular resin filter; I was thinking that a glass-cleaning detergent in distilled water might be the way to go, but I don't want to learn the $$$ way that I was all wrong. What do you think?
2) I've always carried my GNDs into the field as they arrived from the manufacturer - sandwiched between paper, tucked into tight-fitting plastic, and shoved into the leatherette case. What a messed-up way to deal when the light is changing! I suppose if I had a better way to keep the things clean I would store them in a more accessible manner. Have you found an efficient way to pull out, shoot with, then repack your GNDs?
3) I have a Singh Ray 3 stop hard for some reason - not sure I've ever used it! I suppose it would work well if I was into shooting sunsets @ the beach. I've shot a few landscapes recently that suffered from blown-out skies. It was early so memory fails me, but I'm pretty sure that I had used a 2-stop filter. Is anyone here using 3-stop Singh Rays? When do you find it useful? Is the soft version much more forgiving than the hard?
TIA,
Eric
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