Several years ago I saw a number of albumen prints by Carelton Watkins at the Harry Ranson Center at the University of Texas. I was quite blown away by the quality of the prints, both in terms of tonal control and sharpness. I was also very impressed with the openess in the deep shadows he managed to achieve, even on subjects that were obviously exposed in full sun.
Can someone point me to a good source on Watkins' technique as regards how he prepared his emulsion, its light sensitivity, and to what contrast he developed his plates? I am planning a retro type project using 20X24" format and am interested in replicating certain aspects of the look Watkins' prints.
Sandy King
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