
Originally Posted by
Drew Wiley
The way it's usually done is to enlarge (or now laser print onto) a transparent display material deliberately made for this purpose, once via dye transfer, then Duratrans, then Cibachrome display film, now Fujitrans. This is then firmly attached to a stiff translucent white acrylic sheet using a high-tack permanent transparent two-faced acrylic foil using a high-pressure mechanized roller press (a specialized skill and expensive machine). It's still done commercially on a wide scale. But these things fade prematurely due to the UV torture. None of them are E6; current Fujitrans is RA4. Advertising media is not meant to last a long time anyway. Now the really big outdoor advertising ones are giant pixelated screens where the image content can be changed at the push of a button.
But yeah, there's no one stopping you from taking a basic thin 8X10 lightbox with an E6 chrome taped to it, or stuck between its white diffuser and glass top, and suspending that on a wall. Easy enough.
Nobody does serious dupes anymore, not even me. A suitable 8X10 dupe film no longer exists unless whoever I sold mine to still has some, and it's still hypothetically usable without serious crossover issues, or they have a frozen stash of their own. I sometimes make ra4 printing internegs from old chrome originals or their master printing dupes. Better to have a specialty lab scan your slide or chrome, and then laser output it onto Fujitrans.
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