I just confirmed that my Chamonix 45H-1 is built so that the order is the lens, ground glass with grain side toward the lens, Fresnel, then your eye. If I use a loupe with a fixed focal plane, I'm focusing on the Fresnel not the grain of the ground glass where the film would lie when inserted.
So I need a loupe that allows changes to its focal plane.
Can someone confirm if the 6X eTone adjusts the focus plane as well as the diopter? If not, other recommendations.
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I have a clip-on magnifier lens that attaches to the front of my eyeglasses that say +4.0. Is that a magnifier of 4x or 4x diopter? What is the difference? Does anyone use these clip-ons in lieu of a loupe?
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I'm looking at buying my second lens I think I want to get a 240 mm f 5.6 would make a good portrait lens. Probably Rodenstock or Nikkor.
Historically photographers and sitters found soft focus lenses needed less facial repair
but 4X5 SF enlarges poorly
Many shoot portraits 8X10 and above to make contact prints on soft finish paper, such as Pearl
I prefer life size 11X14 film and X-Ray film
X-Ray is very much like 1895 film
Our oldest member shooting since the 30's also uses X-Ray as the film meets his needs
Cheaply
I dislike any touch up on DIGI, Paper, Film
Humidified darkrooms are very good
I watch old B&W movies and consider which lens is used on beautiful women and boxers
Tin Can
The beauty and wonder of soft focus lenses on 8x10 contact prints are often not appreciated today. Combined with properly applied Hard lighting makes them special beyond their period and timeless results.
~IMO, they are and remain special in many ways..
Sorta-Focus lenses on sheet film does not enlarge well ... at all. ~~Now prepared for the veggie salad to be tossed this way by verbalizing this~~ ...
2x would be IMO, the max enlargement for a sheet of film made with a Sorta-Focus lens, once at 4x, the special qualities of these images dies.. They are just not the same...
Oh, BTW, vast majority of these vintage Sorta-Focus lenses are in Barrel and Big.. rendering the majority of view cameras unable to use them without significant contortions.. Which brings up Packard or Sinar shutters..
Bernice
I've taken none using my 210 lens but isn't a 240 mm closer to a standard portrait lens of about 90 mm then a 210 is?. Obviously the tighter I can get in the longer focal length is going to help me to make a tighter more close up photo without having to stick the whole camera in their face. I'm actually thinking now I should have got a 240 to start with instead of the 210 the 210 does not seem tight enough.
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