I suppose you could use the Imagon as a close-up diopter, just as you could use any positive single-celled lens (front of a Petzval, rear of a Tessar or Verito, half a Rapid Rectilinear...) as a close-up diopter, though the results likely wouldn't be optimum.
Pictorialist photographer Heinrich Kuehn/Kühn, along with the designers at Rodenstock, formulated the Imagon in the 1920's specifically because he wasn't satisfied with other soft-focus lenses of the time, many of which were achromatic doublets. Based on that, I think the Imagon was more than just another close-up diopter.
"I love my Verito lens, but I always have to sharpen everything in Photoshop..."
Thanks for the clarification. As mentioned, the Imagon lenses -- they made a 200mm, 250mm and 300mm -- were two element lenses with the glass behind the iris. Basically a supplementary close-up lens with a shutter and diaphragm. You can do the same thing with any shutter and supplementary close-up lens -- and the glass can be on the front or the rear of the shutter. And, if you want, you can place one supplementary close-up lens on the front of the shutter and another supplementary close-up lens on the rear -- the two together basically shorten the focal length of the other -- and shrink the image circle at the same time.
One thing, that has been mentioned, is the need for an adapter to connect the supplementary close-up lens(es) to the shutter -- the adapter has to have a longer than normal thread to reach into most shutters. The thread on the supplementary close-up lens by itself won't reach -- and it will undoubtedly be the wrong diameter anyway.
The other point to mention is that with two supplementary close-up lenses used in combination, the results change with the distance between the two supplementary close-up lenses. Perhaps someone has a formula to estimate the change -- or can provide an explanation. You can use Gullstrand's equation as a starting point.
Last edited by xkaes; 31-Jan-2022 at 08:11.
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