Quote Originally Posted by h2oman View Post
As far as example images, there is a guy named David Parker who has used a swing lens panoramic camera extensively. I think each image covers about a 180 degree field of view, so the results are interesting. For a taste, try this gallery of images from his web page:

https://davidparkerphotographer.com/...enomenal-world

I think I saw an interview somewhere in which he tells exactly what camera he uses. Here is an interview, that I don't think contains specifically what camera he uses (I've read it before, but am too busy today to check through it carefully):

https://www.conversations.org/story.php?sid=71

In addition to the strange perspective afforded by an unnaturally wide view, Parker also uses the fact that the camera is panning to do things like insert himself into the landscape in several places, or stand in one place until his shadow is captured, then move out of the image, or insert just his hand and forearm in several places.

I own both books, The Phenomenal World and Myth and Landscape (a combination of images from his Sirens and New Desert Myths portfolios) by him. The latter provides more bang for your buck, but the images can be a bit redundant. The first book has far fewer images and maybe slightly lesser quality printing, but more variety. Every image in it is on the web page, so you could just go with that!
The camera David Parker used was a Seitz Roundshot using 5” film. He used both 65mm and 90mm lens versions, but mostly 65mm. Very interesting work!