Originally Posted by
r.e.
Further to the thread linked in the post just above...
I've made a decision, at least for the time being, about filters for Schneider's Super-Symmar XL f/5.6 150mm when used with its IVa centre filter.
Note that the centre filter requires the lens to be used at f/11 or smaller, and comes with a loss of about 1.5 stops of light.
Polariser, 112mm screw-in
I would much rather add a 112mm polariser to the centre filter than spend time trying to get the rotation right on a 62mm polariser screwed onto the lens's rear element. Indeed, I see a 112mm diameter as a benefit. I can use my hand to hold up a filter that large in front of my eyes and easily see how rotation is affecting the image. Normally, I use B+W and Heliopan screw-in filters, but neither makes a 112mm polariser. Consequently, I've chosen NiSi's Natural Polariser, which appears to be well-regarded.
Neutral Density, 112mm screw-in
Very few companies currently make 112mm ND filters. With one exception, those that do offer very limited selection in terms of strength. Japan's Tokina makes a line of prime and zoom cinema lenses that have 112mm filter threads. It makes its Cinema Pro IRND filters in 112mm, eight strengths, for these lenses*. IRND means that the filters cut infrared as well as visible light, which has become more or less standard in digital filmmaking. Yesterday, I acquired two of the Tokina filters, which will serve my needs for the time being.
Rationale
I'm satisfied that adding filters to the front of the lens is preferable, from both ease of use and optical perspectives, to adding them to the rear element. My decision was made easier by the fact that I've been able to acquire the three filters at prices that make them affordable, which means that I should be able to sell them eventually without losing a meaningful amount of money.
I have a Nikkor W f/6.5 360mm lens that also made the decision easier. This lens has a 95mm filter thread. I think that a step-up ring to the 112mm filters may be more convenient in some cases than using my Lee100 system.
Follow-up
I plan to speak with S.K. Grimes after the holidays about how I might be able to use Lee's SW150 System graduated neutral density filters. I also plan to ask Lee whether it sees a problem if I have S.K. Grimes make a 112mm adapter for its SW150 holder. Lee's own largest adapter is 105mm.
If B+W responds to my query about the thickness of the glass on its XS-Pro line of filters (see post #25 of the thread linked above), I'll post what it says.
I think that the ideas in the thread linked above are of on-going interest because they offer ways to address vignetting from stacking filters.
* Tokina also makes its Cinema Pro IRND filters in five other other diameters, as well as in 4"x5.65" and 6.6"x6.6" for matte boxes. Tokina owns Formatt-Hitech, but my understanding is that the Cinema Pro filters are made in Japan rather than in the U.K.
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