Do your environmental portraits often have substantial out-of-focus areas, either in front of or behind the main subject or both, and does the rendering of those areas and of the transition from in-focus to out-of-focus matter to you?
If the answer to both of those questions is yes, then get the Apo-Sironar-S, run some controlled comparative tests with typical subject configurations at your typical working apertures, and keep the one you find more pleasing.
If the answer to either of the questions is no, then save the effort and expense and just stay with what you already have.
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