I think this could have been a remarkable portrait, but for me, the white square of fabric on a rope ruins it. Its extremely distracting. Sorry.Originally Posted by szadow
You've liked my first post this monts so here is another one, same camera same material but this time a model called Sandra
Mentor Studio 13x18cm + Tessar 180/4.5 + Ilford Direct Positive Paper 13x18cm + CaffenolCM
Great portrait! Timing and composition are not the only things here that make it and not the most important either. The combination of a very clear modern film with this old lens with a wonderful bo-keh puts the icing on the cake for me.
You don't have to be sorry, you have the right to have your own point of You. I've placed it on purpose though
The square backdrop does have an effect, of melding studio with field
A dichotomy
It is different!
I see the model in black as Morticia with exactly the same backdrops and setting
You don't have to be sorry, you have the right to have your own point of You. I've placed it on purpose though
Tin Can
The white square was one element that really bought me into the portrait. An excellent technique!I've placed it on purpose though
Mentor 13x18cm + Symmar 300/5.6 + Fomapan 100 + D76
Yes!
This is great! Bardzo.
Mentor 13x18cm + Symmar 300/5.6 + Fomapan 100 + D76
That's pretty stunning. Is that her eyebrow/eyelash color or is there something on them causing that lovey effect?
Mentor 13x18cm + Symmar 300/5.6 + Fomapan 100 + D76
There is some heavy makeup on, I have some MF color shots on an expired slide film, that are waiting to get developed
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