Thanks for all the help everyone! Going to take a look at the V35 tomorrow. Asking price is only $200.
Thanks for all the help everyone! Going to take a look at the V35 tomorrow. Asking price is only $200.
Even when a photographer has an enlarger capable of providing adequate illumination for contact printing, it may be more convenient to use a simple light bulb for contact printing like Edward Weston and many other masters did. The simplest solution to a problem is often the best.
The V-35 is wonderful
I paid twice that 8 years ago
Mine was complete and #10 of 14 sold by a Nebraska college dumping all Darkroom gear
The autofocus does work well, once you adjust the height where column meets baseboard
http://gmpphoto.blogspot.com/2019/08...comat-v35.html
Tin Can
if everything works properly, $200 is an absolute steal. make sure the lens aperture ring is smooth and not sticky as that could mean you could nudge the af off a bit. it had three modules, a b/w module (with red filter) a colour module (great for variable contrast papers) and a multigrade module. If it doesn't have a manual, I'll try and find and scan it. and you don't need the Leitz easel in case you were wondering.
notch codes ? I only use one film...
Should work perfectly. I use my Durst 138S illuminated with a high intensity Ilford multi contrast light head to contact print 8x20, 11x14 as well as 8x10. One of the things you are going to have to deal with is the methodology in managing contrast control with your printing. You can use the subtractive filtration as a one shot exposure from companies like Ilford (get these new to ensure they are aligned with the new papers) or the green and blue Roscoe filters as a double exposure - one from each filter. Prefer the filtration is above the lens stage but sometimes it is not possible. Do the best you can. Heck of a great acquisition. I have a mint Leica 2C. They are marvelous machines.
There should be no problem using the V35 for contact printing large format negatives. If you have any concern about light fall-off in the corners, just run the enlarger head higher up the column. Then you won't be using the corners.
One thing I discovered contact printing using collimated light (light coming from a lens) is that every dust spec on both sides of the glass, both sides of the negative and the surface of the paper would show clearly.
Too true! Not only this but with the enlarger lens well stopped down any specks on the glass negative carrier, enlarger condensers or diffusion plates could also be imaged as out of focus blobs. One solution is to remove the enlarger negative carrier and focus the lens on the air in the bellows. I also add a below-the-lens diffuser that goes on top of the below-the-lens contrast filters (Ilford type).
One advantage of using collimated enlarger light for contact printing is that the shadows of dodging wands and burning cards are sharp so local exposure control can be rather precise.
Photography:first utterance. Sir John Herschel, 14 March 1839 at the Royal Society. "...Photography or the application of the Chemical rays of light to the purpose of pictorial representation,..".
I never use my V-35 for contact printing
If you are buying one for only that purpose, don't do it
Jim Jones and Maris have good points
Tin Can
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