yep, inside studio with CFL lamps approx 8x45w 5500k + lightbox Balcar 5500k +2 spots in the back 1x60w 6500k
yep, inside studio with CFL lamps approx 8x45w 5500k + lightbox Balcar 5500k +2 spots in the back 1x60w 6500k
Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Giorgia the girlfriend of Emil in front of out Yurt during their holiday here with us. 23 August 2020
- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"
- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6
Girl
Wollensak Vitax 16in f3.8
Sinar P8x10
Reversal process of Kodak color paper
sorry for the low quality by cellphone
Sometimes love just ain't enough.
http://www.flickr.com/photos/pierre506/sets/
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Originally Posted by pierre506
Girl
Wollensak Vitax 16in f3.8
Sinar P8x10
Reversal process of Kodak color paper
sorry for the low quality by cellphone
Tin Can
In the woods shoot with a 9 inch f3.2 petzval on adox CHS50
Perfect!
In the woods shoot with a 9 inch f3.2 petzval on adox CHS50
Tin Can
[QUOTE=monsta;1565897]In the woods shoot with a 9 inch f3.2 petzval on adox CHS50
Love that swirly bokeh! And the lighting is exquisite! Was it natural or did you use lights/reflectors/positioning on scene or afterwards during printing/scanning?
Shot with a 4x5 Agfa-Ansco from the 1940s with a Wollensak 135mm f5.6 lens under tungsten lights - 1/30 sec at f16. On Tri-X Pan film.
It was just a lovely softly lit area so no lighting was involved. It is just a straight scan but will get in the darkroom soon. Thanks
AND VERY MUCH +1 from me too
best rgds
Andrew
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