I like to integrate the camera into my life (take it with me all the time)
The Mamiya 6 is actually better for this than the 7. The size/weight specs look almost identical, but the lens mount on the 6 collapses while that on the 7 is fixed. That means that I can fit the 6 with lens and a few rolls of film into the same tiny little shoulder bag I use to carry an M-Leica, or into the corner of a case that I'm carrying for other reasons. Can't do it with the 7; carrying that is more of a production, where life starts to revolve around the camera.
Another plus with the 6, at least for my taste, is that the lenses for the 7 are newer designs that have picked up a bit of the fuzzy-mealy OOF look that I dislike in Fujinons. The 6 lenses, especially the 75, are mercifully free of that.
OTOH, the 6 is square, which some people find hard to get used to. Perhaps most important, and the reason I can't whole-heartedly recommend the 6, is that it's been out of production for about a decade now, and Mamiya America has run out of replacement winder assemblies. So if something breaks in the film wind and it needs a whole new assembly rather than just an adjustment, you're stuck. Not that the wind mechanism is especially vulnerable so far as I know, but if it does go, it's a problem now.
Something to think about, anyway. If you don't share my Fujinon-allergy and don't need the utmost in compactness, I'm sure you could be really happy with the 7 as well.
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