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Thread: Still Life 2020

  1. #211

    Re: Still Life 2020

    Quote Originally Posted by JeRuFo View Post
    That's a beauty. Looks almost like a wet plate, but a bit more mellow.
    Thank you. It does have some similar traits to my wet plate negatives, yes!

  2. #212

    Join Date
    Dec 2011
    Location
    Spain
    Posts
    276

    Re: Still Life 2020

    Quote Originally Posted by Christo.Stankulov View Post
    Sinar P2
    Heliar 150
    TXP320 4x@Rodinal 1+100
    Attachment 202953
    Well done Christo. I supose you ate the clams.

  3. #213

    Join Date
    Apr 2011
    Location
    RS, Brazil
    Posts
    91

    Re: Still Life 2020

    Omega View 45D
    Wollensak Raptar 135mm
    Shanghai film

    sc0033 by Eliverto Scherer, on Flickr

  4. #214

    Re: Still Life 2020

    Auto Makiflex 150 Xenar ERA 100 EI 50 ADOX BORAX MQ by Nokton48, on Flickr

    Plaubel Automatic Makiflex 150mm f4.5 Plaubel Makiflex Auto Iris chrome Xenar 1/30 F11 StarD tripod 4x5 ERA100 film ADOX BORAX MQ Arista RC #2 Multigrade developer

    The Xenar has a pleasing look and I am stoked to have it. I have not used it much at all.
    Last edited by Daniel Unkefer; 29-Nov-2020 at 11:15.
    “The secret of getting ahead is getting started.”
    ― Mark Twain

  5. #215

    Join Date
    Apr 2011
    Location
    RS, Brazil
    Posts
    91

    Re: Still Life 2020

    Omega View 45D
    Wollensak Raptar 135/4.7
    Shanghai film

    sc0031 by Eliverto Scherer, on Flickr

  6. #216

    Re: Still Life 2020

    159mm F2 B&L Super Cinephor Test by Nokton48, on Flickr

    Plaubel Makiflex Standard, Bausch & Lomb 159mm F2 Theatrical Cinema Projection Lens, Ilford Commercial Ortho 4x5, Graphmatic 4x5 sheet back. Mic-X developer. 8x10 Arista #2 RC paper, Multigrade dev Omega Dii 180mm black Rodenstock Rodagon, Omegalite circuline head

    I focused on the front of the petal in the bottom center; depth of field is as thin as a sheet of paper. Interestingly I can see the whole circle easily with my 8x10 Sinar Norma when focused at infinity..

    B&L 159.1mm F2 Super Cinephor 1 by Nokton48, on Flickr

    Removed from a movie theatre projector (in it's former life) the Bausch & Lomb 159.2mm F2.0 Super Cinephor. Carrying this around will give you a cardio workout. Will focus out to twenty feet (but not further) due to the SLR mirror in the Makiflex Standard.

    The rear cell of this beast completely fills the Makiflex Standard Mirror Box when full in. Anything out to twenty feet or so is fine. This is a tricky one to focus.

    I shot this digiphoto on my new Sinar Norma Copy Stand, which works great with the Makis as well. The Makis are well proven for photocopy work, the Maki shutter has the patented Plaubel mirror braking system. As smooth no vibs at all as smooth as smooth can be. Big advantage is a lot of instances. Background is a digital file printed at Costco, it's one that Tim Layton digitally shot and included in his large format flower course. I have about a dozen or so backgrounds and they work great on the stand, basically an overhead shooting stage. Lighting from a single Broncolor C171 Pulso Monolight with a Broncolor Beauty Light Head. Silver fill panel on the other side.
    “The secret of getting ahead is getting started.”
    ― Mark Twain

  7. #217

    Re: Still Life 2020

    Auto Maki no 2 150 2.8 Xenotar HRU 5 by Nokton48, on Flickr

    Automatic Makiflex #2 150mm F2.8 Xenotar wide-open 1/15 Fuji 8x10 XRay HRU cut down to 4x5 in Graphmatic back StarD tripod. Development 12 minutes 60F straight Mic-X replenished by inspection of shadow values by deep red safelight. 8x10 Arista #2 RC Omega DII 180 Rodagon f22 50 seconds Omegalite diffusion head Multigrade developer
    “The secret of getting ahead is getting started.”
    ― Mark Twain

  8. #218

    Re: Still Life 2020

    Auto Maki no 2 150 2.8 Xenotar HRU 1 by Nokton48, on Flickr

    Automatic Makiflex #2 150mm F2.8 Xenotar wide-open 1/15 Fuji 8x10 XRay HRU cut down to 4x5 in Graphmatic back StarD tripod. Development 12 minutes 60F straight Mic-X replenished by inspection of shadow values by deep red safelight. 8x10 Arista #2 RC Omega DII 180 Rodagon f22 35 seconds Omegalite diffusion head Multigrade developer
    “The secret of getting ahead is getting started.”
    ― Mark Twain

  9. #219
    Martin Aislabie's Avatar
    Join Date
    Oct 2008
    Location
    Stratford-upon-Avon, England
    Posts
    286

    Re: Still Life 2020

    Quote Originally Posted by Eliverto View Post
    Omega View 45D
    Wollensak Raptar 135/4.7
    Shanghai film

    sc0031 by Eliverto Scherer, on Flickr
    Lovely
    Martin

  10. #220

    Join Date
    Apr 2011
    Location
    RS, Brazil
    Posts
    91

    Re: Still Life 2020

    Quote Originally Posted by Martin Aislabie View Post
    Lovely
    Martin
    Thanks

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