Randy,
Not just cameras vary, but so do non-original bellows. My non-original bellows on the 8x10 are relatively thick compared to the UK Custom Bellows on the 8x20.
I do not recognize "Tin Can College" as a common term in reference to the School of Hard Knocks in Canada nor my travels in the USA. Is that a Chicago related reference?
I do expect however given the demographics of this this forum, especially in this area of the forum, many are distinguished and well accomplished alumni members...
And I concur, Seasons Greeting to all and best wishes for the New Year,
Len
And I don't mean to rain on the OP's parade.
Or maybe I do...
But success at the larger ULF formats is very demanding in so many ways.
The progression is very non-linear. And there are so many details to keep track of
I just really hate to see someone get frustrated and possibly lose interest and quit photography because they fell victim to the romance of the formats.
I believe I speak at least partially from experience. But I haven't quit yet. Not quite.
[QUOTE=William Whitaker;1529636]
The progression is very non-linear. And there are so many details to keep track of/QUOTE]
Having maybe too quickly moved from 4x5 to 11x14, I'll second this statement. It's a multi-year learning curve when you jump to ultra large formats.
Thank everybody for all your kind advice. I know I am in a rush, with more passion than experience and knowledge. I will report my progress for my project.
Thank you again.
Jongin
Nothing is impossible
Good luck!
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