That's part of the issue -- we have a pair of eyes and for the first 60 feet or so into a scene we see in 3D. Drew was mentioning about the painters exploring the 'faults' or characteristics of our viewing system (eyes/brain)...how do we as photographers compensate, expand, or otherwise manipulate our images to carry the 3D characteristics of the scene into our images? Depth of Field is only one tool.
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