Originally Posted by
Drew Wiley
You have to be more specific. I routinely use gold chloride to either achieve a true cold tone on neutral papers, or as the cold complement when split toning warm papers. Basically, I use a formula analogous to GP-1 at about a quarter the normal strength. There is no reason to waste gold chloride, and it takes remarkably little to get the job done. You mix up the separate A & B concentrates and store them in glass bottles. Then right before toning you take just enough of the two mixed concentrates and dilute them in plain water for that one particular toning session. I find that only 1/4 fluid oz each in about 24 oz of water will easily tone a days output of 16x20 keeper prints, say, six to ten of them. A $75 100ml bottle of 1% gold chloride typically lasts me an entire year. I never got along with Nelson's, so won't comment on that.
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