Yeah, I am not liking flickr now. They converted my tif files to jpgs. Jerks.
Yeah, I am not liking flickr now. They converted my tif files to jpgs. Jerks.
Updated links to images and tiff files. I zipped the tiffs that you can download to experiment with. Again, interested in what people can come up with for a basic conversion, no post-processing, sharpening etc. Just the conversion to a positive.
Another observation, regardless of set up, if you are making linear raw tif files, you cannot vary the amount of exposure, except by the multi-exposure option that makes two passes and combines the images. This means if you need manipulate the lighting you (assuming it can go brighter) then some sort filter between the negative and slide would need to be used like a grad nd to force the scanner to adjust the lighting differently or at least alter the light passing thru the negative to achieve a better scan if possible than you get with the built in defaults.
If light intensity can be varied with a drum scanner when making linear raw tifs, then that is a plus for obtaining a drum scanner.
Ahh, I tried that, but it doesn't work for me. I don't like to bake in the recipe. Inlike to be able to go back to the original file and try something different.
Anyway, the raw filesbare available to download. I will make available two more without multi-exposure for comparison to the two with multi-exposure.
My V600 has a lower dmax and ability to see into the shadows. Yet I find no problem with the single scan the V600 gives me. With the V850 and it;s higher dMax, you ought to be able to get even better results with one scan than I do.
I also bracket my exposure +1 and -1 stop with Velvia. Of course I';m using MF so it's cheaper the LF. But it raises the point that if you really need those shadows, why not bracket your shots and combine in post processing? Having the shadow details full exposed in the shot will get you better final results.
Flickr Home Page: https://www.flickr.com/photos/alanklein2000/albums
Very true, but I like to do it in one shot. Ie, expose for shadows and develop for highlights. Plus, you can also develop to give good scan negatives. Like using Pyrocat HD or 2-bath Pyrocat for black and white or bleaching for color negatives. Other techniques are available as well.
My single pass files will be available later tonight. Then you can compare to the files with multi-exposure as well. The next slide I scan I will do the same thing. Also my next bw negative. At least we will have info for the V850 raw scan capability ysing Vuescan and Silverfast.
I do bracket shots most time calculated exposure and -1 since I expose for shadows. I just haven't trued to combine them yet as they are 3.8gb files. I am sure PS can handle it though.
Steve, We really have to get the exposure right when we take the shot. Working with a poorly exposure photo is like shooting yourself in the foot. It's one of the reasons I bracket. Of course, it's cheaper for me because I shoot MF. On the other hand, how much is it worth to spend money on gas and your own time to get to the site, time shooting, time developing, etc? Isn;t it worth it to bracket to make sure you get the shot? Nothing is more frustrating than seeing developed pictures that just can;t be used. And a scanner doing six passes isn't going to save it.
Flickr Home Page: https://www.flickr.com/photos/alanklein2000/albums
Steve, I think the multi scans are just making both pictures fuzzy and blurring the results. Do you have single scans? Also, can you provide a single scan where no changes were done? I'd like to work from a flat scan. 8 bits are fine. If you can;t do flat scan with Silverfast or Vuescan, can you use Epsonscan? Then I'll do my editing of your flat image.
Flickr Home Page: https://www.flickr.com/photos/alanklein2000/albums
Multi-pass shots do tend to lose sharpness, but some systems take multiple readings without moving the reading area. So, for example, move sensing area to point A. Take 4 readings. combine readings. Move to point B. Take 4 readings... This methods tends not to lose any sharpness.
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
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