Hi!
I doubt I'll say anything new, but here's my two cents:
4x5 is easier and cheaper than 8x10 or 5x7.
The cheapest 4x5 monorail cameras are usually the Calumet/Orbit 400 series, probably followed by the occasional Cambo, if it has all the parts. Calumets do not have detachable standards, bellows, backs, etc, so you don't have any ambiguity about whether you have the right thing.
The cheapest 4x5 folding camera with movements is likely to be a 5x7 B&J (gray paint) with a 4x5 reducing back. (I've never used one.)
That is all about cheap - later on once you have a good feel for 4x5, you can easily see what you really need, and you can decide how much you really want to pay to get it. You can get slightly easier, slightly lighter, better looking, and/or slightly more specialized.
Remember to budget money for film holders.
Picking lenses:
Think about the angle of view you like. I choose by the width - the long side. Try this link: http://lensn2shutter.com/angleofviewchart.html
I'll cheat, and go off the top of my head:
90mm -> 24mm or 28mm-e ... common, cheap at f/8. Almost always really good.
127mm-135mm -> 35mm-e or 40mm-e ... very common 1940's press lenses, cheap, no room for movements. I've seen them for as little as $75
150-162mm -> 50mm-e ... everyone has one, no one wants to sell them, so prices vary a lot
210mm -> 60mm-e ... nobody wants them since they are normal on 5x7 but not really anything on 4x5. Cheap, lots of room for movements!
250-60ish -> 80mm-e ... people like these, so not very cheap.
300mm -> 100mm-e ... normal on 8x10, so you are competing with wealthy people. Still, you can occasionally find some for right around $300.
More than 300mm ... highly sought after by people doing ulf, wet-plate, portrait focal lengths for 8x10. Expensive.
Lenses are an education in and of themselves. Look for ones mounted on boards, or at least with retaining rings/flanges.
Good Light, and Good Luck!
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