Ah but the simple joys of alternative process options with ulf and contact printing.
Ah but the simple joys of alternative process options with ulf and contact printing.
I am after pretty big prints, and honestly theres a decent market here in nashville given all the tourism and the massive amounts of gentrification, in the last 7 years the areas that are "nice" have pretty much tripled. Most of these people have nice remodeled modern homes and love their big prints, i dont know why people in the area love massive prints, they also have a habit go really nosing the prints at the galleries. So i would like plenty of detail. The end goal is to compare to Clyde or Massimo Vitali who really got me hooked on large as life prints. Around 8'x10' enough for a group of people to view at once.
on that note, thoughts on the aforementioned "one good square inch of film gives one good square foot of print"? whats the largest some of you guys have printed with still sharp results?
I do enjoy digital photography, i have a T6i that gets the job done in terms of professional gigs and such, but the LF camera would be for my own work in fine art. And granted i am saving so there is a max budget, i feel that $3200 would be plenty to get a decent used set up in either format if I'm patient enough.
hi corran
i spent a fraction of that on my cameras.
its like anything, you can go high-line
or you can buy stuff that works perfectly well
and doesn't cost as much as a house.
if need be, i can make up some BS story
about how i schlepped my gear 20 miles in a
yukka pack, built a lean-to and processed my film
by starry night on the peak of some mountain
or how some of my gear was acquired from
xyz photographer or frank zappa so there is a mythos with the photographs ..
at that point buyers care about the gear and how expensive it was/wasn't
how awkward it might have been to use &C .. but in reality
one can easily sell a 30x50" print made from a pentax k1000 developed in
plain-jane developer scanned on a 10 year old epson scanner and people would
be just as happy ..
if i had the opportunity to buy a cheap 11x14 camera back in 1988 the day i walked into
ep levines on lincoln street in boston ... and a handful of film holders and a cheap lens
i would have never bothered with smaller formats. ( i paid as much for an 11x14 i use today[2 backs, bunch of holders]
as i for the 34 year old speed graphic i bought back then ) unfortunately back then 11x14 cameras/holders
cost a fortune, probably more than today. shutterbug was the only place aside form a pro-used shop ...
seeing pierre hadn't started ebay yet ...
like randy, i think the OP should buy the biggest camera he can afford.
as with everything YMMV
Last edited by jnantz; 20-Sep-2016 at 05:34.
I spoke with Clyde B. a few months ago and he said he as using the Sony A7iir adapted to a Cambo that gave him movements. He is using Hasselblad lenses with it. Otherwise he is using Canon lenses with the Sony, and still drags out the view cameras every now and then. Showed me a new image taken with the 12x20. Nice!
Since the OP wants big, big prints, and I'm guessing he won't be making them himself, he should ask the printer what they want. I'm guessing they would want a digital image file. So you have to ask yourself, apart from the equipment, how much will it cost you to get a drum scan from a 4x5 or even 8x10 vs. from an 11x14 negative?
Here's another tip - beg, borrow or steal a 4x5 and then an 8x10 and shoot with those for a few weeks before deciding that's not big enough for you.
For what you want to do I'd get a 4x5 or a D810! There was a complete 8x10 darkroom in Nashville a while back. If you PM me I'll send you the info on it.
Last edited by Luis-F-S; 20-Sep-2016 at 08:00.
I just made a series of BW prints 24 x30 on 30 x40 sheets from the new Leica Monochrome... just saying that the results were quite comparable to larger formats
If the OP is going to a printer for hire, then I would think 4x5 camera with high resolution scan would be quite nice.
I agree with jnanian. If the OP has it in his mind that he wants to shoot 11x14, he should heed the muse
"I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority"---EB White
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